Final Rite of Passage for My Mother
Final Rite of Passage for My Mother
By Brian Mosher

“That’s not funny,” she said, lying
in her hospice bed, the first of several
phrases I imagined would be her final
declaration, as her labored breath caused
her sunken chest to rise and fall, each
mumbled whisper a new potential dying word.

Would “What is that awful smell?” be her
epitaph? Sulfur and brimstone, perhaps. Or
ambrosia. Or simply someone farted. “This
is the last time I put my faith in any of you,”
seemed a likely candidate, and good
advice, if too late in coming.

Her hand a loosely tied bundle of dried sticks,
she began to pick invisible somethings
from her hospital gown. One by one, she
silently passed these imaginary bits to my
wife, the daughter-in-law she had never
accepted, who patiently received them
then mimed transferring them from her
own right hand to her left with a somber
playfulness, collecting them there in case
they became valuable later, the only one
of us to actively participate in this ritual
despite their fractured relationship.

When my mother left us with no profound
final words those priceless invisible
particles were lost, drawn up in the wake
of her passing. It is only now that I begin
to recognize the import of the sacramental
parting ceremony conducted between
the mother I had so often shunned
and the wife I was soon to betray.

Brian Mosher resides in Mansfield, Massachusetts. His work has appeared in Blood & Bourbon, Lily Poetry Review, Literary Underground, Nixes Mate Review, Anomaly Poetry, eMerge, Esoterica, and others. His unpublished short story collection was shortlisted for the Unleash Press 2025 Book Prize, and his short story “Fragments” was a winner of the Nikki Hanna Literary Challenge. His most recent books are the collection, A Muster of Melodious Musings (Metaphysical Fox Press, 2025); Double Vision, a collaboration with artist Becky Haletky (Independently published, 2026); and the chapbook Relict (Finishing Line Press, 2026).

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