His estate was a cheap, dime-store tie,
oddly touching in its bad taste,
brown, worn, torn, wool fabric,
with a silly flying bird on it.
I’ve kept it in my closet all these years.

I found it in his sleeping room,
swarming with cockroaches,
nested with empty liquor bottles,
and butts of Camel cigarettes,
symbols of what had sustained him.

His legacy to me was the rejection
he had received from his father.
I watched his dedicated self-destruction
with the singular detachment of a coroner.

I buried him as I promised I would,
duty, not love, the motivation,
I could burn the tie tomorrow
but another one would always remain.

Hugh Giblin has been writing for a number of years. Amidst his share of rejections, he has published poetry in literary journals and online, a feature nonfiction article in a national men's magazine in 1999, two ten-minute plays produced in Durham, North Carolina, and self-published a book about his experience as a whistleblower, Whistling in the Shadows (2022). That's it to date. He is grateful for any opportunities and hoping for more publications.

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