doom can approach languidly
or like a scythe to the stars;
you may not even see it; you might
not even have any idea it will happen;
innocently wandering in soft, alien
dreams, in provincial landscapes,
in hopes skillfully manicured, in the
kool-aid sunrise; and then—head to the
cement, glass in your arm, engine pilloried
by hope, the ultimate bludgeoning instrument.
this is the way you meet the end;
with a great report card; infants praising
you, an annual bonus; the new house
and young love on the horizon; just then
you get buried in cement; angels singing,
heaven parting and gold emblems of freedom
unveiled; a peace found among your relatives,
a winning lotto ticket on the dresser; this is
the way time stops; the hammer meeting
the falcon, the scythe in the ravine of honey,
a cloak becoming an anvil and the tiny
chocolate candies melting into the sunrise as
all you once wanted to achieve suddenly disperses
like a magician’s trick before a sea of gullible faces.
Matt Nagin’s poetry has been published in Antigonish Review, Dash Literary Journal, The Charles Carter, Grain Magazine and Arsenic Lobster, among other markets. His first poetry collection, “Butterflies Lost Within The Crooked Moonlight,” was released in 2017, and has obtained very strong reviews. More info at mattnagin. com.
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