Drawing Board
Drawing Board
By Brandyn Johnson
This is not some “thing” to just work through:
a checklist, a harsh season, task in the module.

This is time to redraw the world, starting
where the fault line is still warm.

This is time to learn about tectonics,
by which I mean noticing our steps,

considering how we land, what dust
gets kicked up – all of it, eventually.

This is not time to discuss what I get
and what I don’t get. All these years

I’ve remembered your location based
on proximity to him; you’re the lovely

sister city to this new ghost town.
This is time that makes it easy to wonder

whether the map had ever been right.
In fact, this is time to revise my revision

plan: we’re not redrawing a map,
we’re molding a new globe without

one support-bearing continent and no
replacement, no control over the velocity

of these new currents, weather patterns
assembled from scratch, but there’s

another mistake already, we don’t
assemble as though we’re makers,

we discover as we go, carving a path
for others, softly showing the way.

Brandyn Johnson’s poetry has appeared in Sugar House Review, Counter Culture, The Puritan, Dunes Review, the Dandelion Farm Review, Vine Leaves Literary Journal, and several others. He is an instructor of English at Black Hills State University in Western South Dakota. He has an MFA in creative writing from Eastern Kentucky University. He lives with his wife, Anna, and their daughter, Ari, in Rapid City, South Dakota.

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